German photographer Albert Renger-Patzsch, whose chilly, detached works served as the visual foundation for the Neue Sachlichkeit ("New Objectivity") movement was born in 1897.
Georg Wilhelm Pabst is the filmmaker most closely identified with the movement. The social concerns covered in Pabst's movies from the 1920s include prostitution, addiction, homosexuality, labor struggles, and abortion. His 1925 Joyless Street is a hallmark of the objective style thanks to its chilly and critical tone.
The word "New Objectivity" is frequently used to refer to the Modern architecture that first appeared in Europe, especially German-speaking Europe, in the 1920s and 1930s. The term is a translation of the German phrase "Neue Sachlichkeit," which is also sometimes rendered as "New Sobriety."
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